How to Become a Video Game Writer

From the AMA pile, Anonymous asks:

If someone wants to become a writer for video games, what would your advice be?

My super short advice is to do these in any order: (1) get a video game job and (2) learn to write well.

More in-depth (and hopefully useful) advice follows.

If you have a video game job, you need to learn to write well and squeeze yourself into positions where you have opportunity to write. You can learn to write anywhere: books, blogs, school, reading, but most importantly by actually writing and getting critiques from other writers.

I suspect, however, that the other order (learn to write, get game job) is the one most of you will be interested in. Here are some options:

1. Get known for your writing and make your interest in gaming publicly known.
2. Watch for game developer job openings. For example: inXile, Obsidian, Bioware.
3. Make friends with other game developers. Note that I said "friends," not "acquaintances who can help me get what I really want." Remember: self-serving has a smell.
4. Learn skills related to the game industry but that you also enjoy and/or excel at. For example: 3D art, 2D art, programming, web development, game design, etc.
5. Find similar-minded friends and make quality games (or mods of existing games) on your own time.
6. Become a game tester.

None of these are mutually exclusive. In fact, the more you do, the greater your chances of getting what you really want.

I know game writers who have followed all of these paths. The goal is to get noticed any way you can, so when someone asks a friend of yours, "Do you know any good game writers who might be available for this?" your friend can go, "[Your name here] might be interested, and his [type of work you do] is always good and on time. Want me to ask him?"

Incidentally, my path is here. It's a stranger path than most, but I did #2 and #3 for my first job, and a combination of #1, #3, and #4 for my current one. So my advice applies to at least one person? I guess?

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So What Are You Working On Now?

Oh, you know, a couple of things...

 

But inevitably:

AMA: Torment Companion, "The Toy"

Garrett / Claive says:

I am fascinated with the idea of the "Toy" companion.  How much "growth" will there be from when you first encounter this creature to when it is finished with you?  How much influence will we as the player have on that growth?  Will that "directed growth" be predictable, variable, random, feed it fire seeds and pray?

Background: Early during our Kickstarter, we announced the following stretch goal: "Our initial plans for Torment included four possible companions for the player and at this Stretch Goal, we will be adding a fifth, which we’ve nicknamed “The Toy.” (That’s not its in-game name. ;) ) The Toy is a changing ball of goo: Is it a pet, an abandoned toy, a dangerous weapon? Whatever it is, it responds to the way you treat it by changing its appearance and abilities to reflect what it perceives as your desires. Its ultimate secrets are... well, you'll have to find out."

The Toy is part of the numenera, some leftover creature from a prior world, or maybe a byproduct of some ancient technological process. Who knows? What it is now is an extremely strange and loyal pet.

I can't tell you in detail how much growth it'll have from start to finish, but it'll be equivalent to the growth your other companions go through over the course of the game. The main difference is the Toy's development will affect its form as well as its abilities.

As it's master (if you choose to be so), you'll have a decent amount of influence over it, but you won't always know what you're doing. The Toy will learn from you, from what you praise or punish it for, from what you ask of it, and from what you yourself choose to do. If you encourage it towards violence, it might get better at that and become a killing machine. If you encourage it to be quiet, it might take that to the extreme, even to the point of becoming invisible.

Or it might not. We know what we want the Toy to do, but there's a lot of design and implementation left before we know what this specific character will do.

And like all the numenera, the Toy will occasionally do things you don't understand and don't expect. Nothing about the numenera is entirely predictable, and the Toy is a major example of this. Especially if it can't make sense of your desires (or maybe even if it can), it may occasionally swallow your enemies or burp a black hole or... who knows? You just can't tell with this thing.

AMA: If You Could Make Any Game...

The aftermath of my trip to California has kept me ridiculously busy, but I've finally snuck a little time to answer another question. And it's a good one.

Samuel asks:

You are currently the project lead for Torment: Tides of Numenera for InXile Entertainment. With that in mind, if you could be the "boss"/project lead for any type of Compute role-playing game, and decide everything about it's setting and design, what would you make?

 
(Clarification: I am not Torment's Project Lead. That distinction belongs to Kevin Saunders. I'm not even sure it's a job I'd want. I am Torment's Design Lead, in charge of gameplay systems and Numenera adaptation. And sometimes Colin and Kevin even let me write stuff.)

With that clarified, I'd make the game that I started 11 years ago: a space trader game set in my own Air Pirates world. If you know what both of those are, you can skip to the end. Otherwise...

A space trader game is an open-world (or at least pseudo-open world) space simulator in which the player is the pilot of a relatively small, outdated starship and must work his way up to some awesome, customized super star destroyer of his own design, by trading goods, accepting missions, and taking risks.

Often the game world has a number of factions the player can take missions for, gaining the goodwill or ire of each, and unlocking special missions, ships, weapons, etc. Many such games also have a story you can follow (or ignore). My favorite space trader games, in reverse chronological order, have been: Wing Commander: Privateer, Escape Velocity, and the BBS text version of Trade Wars.

Air Pirates is the world in which my single published story "Pawn's Gambit" is set, as well as the novel that got me my agent.

Air Pirates is not set in space, and it has almost nothing to do with space. It's really all about the airships and the pirates (hence the name). So that's the first thing I would change from the space trader formula: it would be set in a world and not in space.

The second thing I would tweak is I'd focus it on story and reactivity. I wouldn't remove the open-world aspect of it entirely, but for me that would be a side game. The story and the characters would be what was important, along with giving the player multiple really interesting ways to get through the game the way they want to.

Will I ever get to make that game? Probably not. But you asked, Samuel, and it's fun to dream.

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AMA on the Road

I am currently in Incheon Airport in Korea, awaiting the end of my 8-hour layover so I can finish another journey to Newport Beach and another week of design meetings, pizza, more design meetings, Greek food, brainstorming meetings (you know, where we brainstorm design), Mexican food, and the beach. Except for the part where I leave my family for 10 days (and, you know, kill 8 hours in an airport), I'm pretty excited about it.

But I do have some questions to answer! So let's get to these.

All these questions are from Surface Rlf:

If the player it to be forewarned about possible failure, or chances for that failure - shouldn't that be dependent on level of his skill for that specific task?
So, a low level, beginner thief would not be able to know how dangerous some trap or lock is with any greater precision (this lock looks challenging, duh), while a master thief would be able to evaluate the dangers with more exact precision, presumably knowing the exact type and maker and specific of the lock or trap.
Or at least be able to deduce the potential risks with more precision?
- instead of some global knowledge available to everyone - of that class?

These are cool ideas, and if we had more resources to devote to implementing and debugging this kind of gameplay, I'd put it in Torment.  (I know it doesn't seem all that complicated, but even a small thing like this can increase balancing and debugging time exponentially.) At the moment, pending prototyping and iteration of our exploration gameplay, we're allowing the player to choose how much of the task difficulties they see (actual numbers vs. abstracted numbers (default) vs. none), primarily focusing our resources toward conversations, Crises, and reactivity instead.

Save scumming in usual gameplay may be fine, but what about saving during TB combat?

It's likely this will be possible in Torment (our Crises are planned to be longish, in-depth affairs), so I stand by my statement in this interview. Namely, we are taking care in our design so as not to encourage nor require savescumming, even in TB combat. But for some folks, that's how they want to play, so we're not going to expend tons of resources to prohibit it.

- have you played Age of Decadence?

Sadly, no.

As for [random number generation (a topic dealt with in the same interview)]... isnt that what gives RPG mechanics a very valuable sense of authenticity and believability? Lets look at... Sergei Bubka, at his prime. World recorder and master champion of his sport with no one equal or even close in skill at the time. Did he succeed in every single jump? Furthermore... shouldn't RNG lessen the more skilled a character is and be greater the lower level of skill is? (but never be completely removed?) Seems reasonable and believable to me.

I agree (though as I said in the interview, deterministic can be fun too). Sounds like you'll enjoy Torment's design :-)

Oh, i guess the fact that the player has the option of switching between all those Foci will be excused through narrative - of player being a castoff.

Something like that, yeah :-)

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AMA: 7 Quick Answers

The lovely Authoress asks:

Why aren't you writing a novel right now?   :)

Brian Fargo (my boss's boss) has been quoted as saying that we have generated 800 pages of design documents, and I'm personally responsible for about 150,000 words of those documents. (That's an excuse, I know. I am writing a novel, but much more slowly than before.)


Sandra asks:

What will you look for in an intern? What are some basic skills the intern must have? What kind of attitude should s/he have if they want to apply at a company? (Given that, ofcourse, the company you work for, accepts interns)

I, personally, do not look for interns. There are more than enough people in my house who require me to teach them everything I know for next to no pay, such that I don't need any more. I don't know if inXile takes interns, but I'm sure you can find out.


The even lovelier Cindy Heine asks:

What's the next gift you're going to give your wife? 

Either something from the States, something from an airport, or a hug. Maybe all three.


Ali Martinez asks:

Are you guys going to make the [Torment] combat system like Planescape/Baldur with the pausable real-time mode?. Because right now there are WAY too many "turn based combat games" like Banner Saga , Blackguards , ShadowRun, Wasteland, Divinity Original Sin ETC. And I really think that many people want that old school RPG complex combat system, so it would be great if you guys go with the real time paused system :) 

Torment's combat will be turn-based, which we've talked about (and there were "many people" on both sides of that decision).

(Also, real-time w/ pause = old school? Am I that old?).


Hiver asks:

How come the Changing God doesnt get that his discarded shells are continuing to live? He seems as a rather smart guy and he makes them himself. - Does every shell survive or just some? How come?

I can't answer too much without spoiling, but he does get it (at some point).


David asks:

Can I play T:ToN without having to learn the massive lore beforehand? Can I as a layman play the game and learn about the world and rules through playing the game rather than having to study beforehand?
I ask because whenever I see an interview or an update, I've got the strong sense I'm missing a vast amount of knowledge.

I backed both Project Eternity and Torment Tides of Numenera, but my attention had been focused mostly on following Project Eternity. I now have this idea that starting T:ToN I might be well out of my depth. I hope not, because so far, I like everything I've read. And as a fairly critical person, that's rare.

You will absolutely be able to play Torment without knowing anything beforehand. If you come in having read every post and novella, you'll notice cool things here and there, but we are explicitly assuming the player has no background knowledge coming in.


Hugo Chavez asks:

You're pretty cool. What's your shtick?

Clean living, Jesus, and a barrel of children who won't let my head get big for even a second.

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AMA: Adapting Numenera to a CRPG (and what that means)

Thomas said: 

A lot of Numenera's rules seem to be designed around a push-pull between the players and the GM. Are you finding that difficult to adapt to a cRPG where the "GM" is static content that is predetermined?  

This question I thought would be of broader interest to Torment backers, so it is answered in today's Kickstarter Update.


Steve MC said:

Can you explain the above question before you answer it? 

For my faithful blog readers (who are, perhaps, beginning to feel as though they've been dragged into something beyond their experience or comprehension... which is probably kinda true), first some definitions:

• Numenera is the tabletop role-playing game (RPG) whose rules and setting we have licensed for Torment: Tides of Numenera.
• A tabletop RPG is like D&D and is played something like this.
• GM = gamemaster, the referee of sorts who determines what happens as a result of the things the players try to do.
• cRPG = Computer RPG, which is basically the same thing as the tabletop except now the computer is the GM.

Hopefully that gives you enough context to already understand the question, but to take it further...

Tabletop RPGs, and Numenera in particular, rely on the imaginations of the players and the GM to collaboratively tell a story. This works because the GM can adapt to anything, even to the point of changing the rules.

In a cRPG, we have to somehow limit the player's options (so we can handle the consequences in a believable and satisfying way) while simultaneously making the player feel like they have freedom of choice in any given situation. It's a tricky wire to walk, and that's what the Q&A is primarily about.

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