Piracy Part 2: Culture Change

On Wednesday, I talked about how piracy isn't just a legal matter. It's an entire culture that believes digital media should be cheap or free, and that if it isn't, they have a right to pirate it.

How can you fight something like this? How do you fight a culture that looks at you like a freak just for obeying the law? I don't know how to change a whole culture, but I know it starts with the individual.

Do the right thing. It's hard to fight piracy if you pirate (though I guess there are levels of piracy, and you're welcome to fight at whatever level you're comfortable with, aye?). It can be super-hard to tell your friends you don't want to borrow their pirated DVDs (I know!), but doing so raises their awareness that maybe NOT everyone does it. It shows them some people still care (even if they think you're weird for caring).

Talk about piracy. Some people may have no idea what they're doing is illegal. Others figure that since "everybody" does it, it's okay. The more people talk about it, online or elsewhere, the more others will get that it's illegal. But while you're talking, remember...

Don't judge. This is probably the most important thing to remember. It's easy to care about piracy laws if you don't own anything pirated. But you have to understand that when you say, "Pirating is illegal," some people hear, "You're not a good person unless you throw away all your favorite stuff." Keep that in mind when you bring it up, and don't make it worse by hating on people who do it.

Know the law. There are a lot of myths about what is and is not legal, so it helps to do your homework. Loaning a book? Legal. Burning songs you own? Usually legal. Giving that burned CD to a friend? Probably not legal.

Support anti-piracy laws. One of the things that encouraged my wife's conviction was when the police cracked down on some of the illegal movie shops here in Chiang Mai. The law won't solve the problem, but it's easier to do the right thing if the authorities are doing something about it too.

I mean, I don't know how culture changes, but I figure this is a good start, yeah? What do you think? (By the way, there's no part 3, so if this mini-series was making you feel guilty don't worry. I'm done.)

Piracy Part 1: Free Culture

Piracy is a difficult topic for me. On one hand, I like free stuff and I'm a professional at justifications (we all are, really). On the other hand, the logical flaws in those justifications irk me no end. Plus, you know, my conscience.

Up until recently, we owned a fair amount of pirated stuff -- movies, music, software... Not because we are evil people, but because we live in a free culture. I can buy a DVD of any movie or TV show for $3, not in a back alley, but at a kiosk in the mall. To find legal software here, I have to walk past four illegal shops just for the privilege of paying 30x the price.

As we got rid of our illegal stuff, I realized the fight against piracy is not just about enforcing the law. Legislation and enforcement is part of it, sure, but free culture is powered more than anything by belief.

How do you fight it when your friend tells you about this awesome game that you just have to play with them. "Oh, I can't afford it," you say. "That's okay," they reply, "I made you a copy. Here."

Or you're homeschooling your kids, but curriculum costs more than you make in a month. "Don't worry," your friend says, "I'll copy my books for you at Kinko's."

Or say you love the TV show Babylon 5, but the entire box set is almost $300. What do you do when your friend gives you the whole set as a gift, knowing (because of the distorted disc labels and DVD jackets with Chinese on them) that he paid less than $50 for it?

That's what free culture looks like. When we got rid of our pirated stuff, we heard a lot of comments like, "I wish I could do that," or "You're just throwing it away!" or "I don't know how you can live like that in Thailand." (And these were from the missionary community).

When people believe that digital media is cheap to make, that corporations are extorting us, that everybody pirates and nobody gets hurt -- at that point it doesn't matter what the law is. People will look at you funny, even resent you, when you pay full price for stuff. In many ways, we're there already. I've got more to say, but that will have to wait until Friday.

In the meantime, I'm curious, what is piracy like in your own community? Is it something people look down on, or is it considered normal? Does anyone do it? Does everyone do it?

Networking for the Unpublished Loser

I hate networking. I hate small talk, I hate getting business cards I'll never use, and I hate feeling like I have to "connect" with people just so I can use them to further my career.

Thing is, that's the exact opposite of what networking is.

Networking is making friends. It's connecting with people and learning what they do. It's being yourself with others who are being themselves too.

Networking is following a contest winner because you really enjoyed their entry. Commenting on their blog because they're also into zombies and ninjas and pirates. Entering contests they run and discovering that you like each others' stories enough to swap critiques.

Networking is following an author whose book you enjoy. Friending them on Facebook. Discovering that you went to the same college and share a mutual friend. It's just talking.

Networking is following an agent's assistant on Twitter because they're funny. It's replying to their tweets in a (hopefully) funny, professional manner that gets them interested in your tweets. It's caring about their lives, even when things don't go well or they cease to work for an agent.

Sometimes I get a new critique partner out of networking. Sometimes I get someone willing to spread the word about a contest or a short story I got published. But whether or not they choose to be helpful to me, I always get a friend.

And sometimes I befriend someone who goes on to get an agent or a book deal, someone who--theoretically--could give me that Holy Grail of the unpublished: a referral. But here's the thing: if I did all this networking just to get a referral, I'd never get this far. People can smell Self Serving, and it stinks. Even now, I would think long and hard before asking for such a thing, simply because the friendships are more important to me than the (supposedly) quick path to getting published.

And that's the point. Networking isn't about using people. It's about finding friends. And the thing about friends is, when you really need them, they're there for you.

So that's my advice today. Be kind. Be funny. Be clever. But mostly, be a friend. Maybe that friendship will be useful to you some day, maybe not.

Hopefully, by then it won't matter.

"You Write Science Fiction? Oh, That's... Nice."

I'm always hesitant to tell people that I write. "Oh, cool! Like what?" they say.

I try to look them in the eye and smile, as if I'm not ashamed of what I'm going to say next. "Science fiction and fantasy. That kind of stuff."

The conversation then diverges to one of two places. On most people, you can see their face drop as they struggle to remember any SF/F they read in the last 10-50 years. They can't think of anything, but they don't want to offend me so they default to the polite, "Oh. That's nice."

Ah, but the OTHER reaction! The folks who light up and say, "Really? Like what?" And I get to tell them about my story and they actually think it's cool. Or they ask where my inspiration comes from, and we get to talk about things like Firefly and anime. Or they tell me about all their favorite SF/F books, and I get to tell them about mine.

It's worth the risk to find these people. It's worth having some folks glaze over my shelves of Card, Gaiman, and Pratchett for that one person who doesn't walk away scratching his head, who pulls down Neverwhere and says, "I love this book. Have you read Sandman?"

Now for all those people who aren't geeks but who like me anyway, I gotta say thank you. I know how hard it can be when something like Star Wars slips through my filter, and I'm halfway through a rant about George Lucas before I realize you're just smiling and nodding. You are awesome for talking to me again after that.

And for the rest of you geeks, I don't know why something as materialistic as comic books and movies should make us feel closer, but it does. Or maybe it just helps us to let our guards down so we can get to know the person behind the first impression. I don't know, but I'm always glad to find fellow geeks out there.

So You Want to Start a Blog...

Jodi Meadows (and Mary Kole before her) talked about writers and social media -- specifically blogs and whether unpublished authors should have them. Both posts are worth reading, and I pretty much liked all of their points, but it really got me thinking. Why do I blog? It takes up a significant percentage of my available work time. Is it worth it? What have I gained?

So, as I often do, I broke it down into lists. Here we go:

GOOD REASONS TO BLOG

1. Make friends. A blog is a place for people to get to know you, to connect with you. The writing friends I've met outside of blogging can be counted on one hand (one finger actually, and he's blogging now too, so...). You don't need a blog to make online friends, but it can help.
2. Learn how to be interesting. Both Mary and Jodi make the point that blogs shouldn't be boring. I agree, but I think it takes time to figure out how to do that (it took me like a year and a half, and I still struggle with being interesting 3x a week).
3. Find your blogging voice/your brand. This is related to the previous one. If you've never blogged, and you suddenly get a book deal and your publisher says, "You should really start a blog, like that Kiersten White girl," it may be difficult to just jump in and try to be funny or informative or whatever it is you're supposed to be.
4. See if blogging is something you want to do. While it can be good to start a blog early to find your voice, it's a terrible idea to keep blogging if it's something you don't enjoy doing. There are plenty of other ways to sell books, many of which you'll probably enjoy more. It might help to learn that sooner rather than later.
5. Practice summarizing. One common complaint about the query process is that writing a query or synopsis is so much different than writing a novel. That's true, but if you're serious about this business, summarizing your story is something you have to learn how to do. Talking about that story online is a good way to practice.

BAD REASONS TO BLOG

1. Sell books. Blogs don't sell books. Blogs CAN BE used to make friends, and friends SOMETIMES buy books. And when you're still unpublished, they can't even do that.
2. Impress an agent/editor. There's a myth that if you have a blog and a following, it'll make getting a book deal easier. Thing is, everyone has a blog and anyone can get a couple hundred followers if they're willing to hand out books to followers. But followers aren't always readers. Readers aren't always friends. And, as above, even friends don't always buy books.
3. Impress your wisdom upon the world. I'm thoroughly guilty of this one. I like to tell people what I'm learning, which is fine, but it often comes out as, "I've totally got this thing figured out, you guys. It's so easy." I, uh... I don't have the authority to say that.
4. Rant. I mean, of course you can rant a little. About angry retail customers. About whitewashed covers. About adults acting like children. But rant with class. And DON'T rant about those commercial whore sell-outs (or whatever) who are rejecting your novel.
5. Because everyone else is doing it. This is a bad reason to do anything. Blogging's no different.

Conclusion? I think unpublished writers can benefit from blogging if their goal is to make friends and practice blogging. I don't think it's a good idea to blog in order to build a platform for books you haven't sold yet (how do I know? Oh, I know).

Blogging takes a lot of time. The skills you learn don't always translate into fiction, and may never translate into book sales. But as long as you're intentional about what you're doing, and careful to keep your priorities straight, I think blogging can be beneficial to some.

Form Rejections

In honor of the Rejectionist's blog birthday, I give you a top 10 list of what form rejections REALLY mean:

#10
"If it makes you feel any better, getting this rejection means you're not on my blacklist. Yet."

#9
"My cat threw up on my keyboard, but I still have to answer these stupid queries."

#8
"No."

#7
"Your query did not give my computer a virus. Good work."

#6
"Congratulations. You successfully bypassed my spam filter."

#5
"On the bright side, that query service you hired sent it to at least one real agent."

#4
"I can only request 1 partial per day. Today is not your day. Tomorrow doesn't look good either."

#3
"I'm only rejecting you now because the queries never stop. They just keep coming and coming and coming, there's never a let-up. They're relentless. Every day they pile up more and more and more! And you gotta get them out, but the more you get them out the more they keep coming in. And then your computer freezes and it's the last day of NaNoWriMo!"

#2
"No!"

And the number one thing form rejections really mean...

#1
"This rejection means the same as if I said nothing. Except if I actually said nothing, you'd pester me with e-mails or (God forbid) phone calls asking why I haven't said SOMETHING. Even though you give your resume to hundreds of human resource departments without wondering if they received it. Even though you give your phone number to God-knows-how-many potential girl/boyfriends, yet never track them down to see if maybe they lost it. For whatever reason, those expectations do not apply to me.

"So consider this your non-interview. Your fake number. I am turning you down in the nicest way I have available to me. Please, please, PLEASE don't e-mail again asking why."


Happy birthday, Le R! Thank you for brightening our depressing, rejection-filled existences.

That Deeper Meaning Nonsense

When people admire art,* they often want to know what the artist meant by it. I get that. I do it myself. But honestly I don't really like "explaining" my art.

* I'm including books in this.

Part of it is plain old fear. If I have to explain it, it means I didn't do a good job of it, right? Or what if I explain it, and they don't like the deeper meaning of it, and therefore don't like the work? Orson Scott Card's Homecoming Saga is really thought-provoking science fiction, for example, but I know people who stop liking it when they find out it's patterned on the Book of Mormon.

Should that matter? Should the author's interpretation of what they wrote affect MY interpretation?

Shortly after it was published, someone wrote a review of my story "Pawn's Gambit". He really liked it (and I was bouncing for a few days after reading it), but here's what he got out of it:

We come to understand the true meaning of family, of love, of sacrifice. We have all had our differences with the ones we love, but even when we dislike our family we still do whatever it takes.

When I read that, I was all ==> O_o.

I mean, I see how he got that out of the story, but I can't say that's what I was trying to say. I can't say I was trying to say anything, really. It was just a fun adventure.

Does that invalidate his opinion? This is what the story meant to him. And like I said, he's not pulling it out of thin air. There IS family, love, and sacrifice in the story. There IS a father trying to rescue his daughter, even though his daughter wants nothing to do with him.

And who says I didn't mean all that, at least subconsciously? Fatherhood is something that's very dear to my heart, and a common theme in many of my favorite movies. So if it comes out in what I write -- even when I don't intend it -- I'm not surprised.

So what matters more? The author's intention, or what the reader brings into the text? Have you ever changed your opinion of a story because you found out the author didn't mean at all what you thought?