Characters We Care About: Goals and Motivation

— September 23, 2024 (4 comments)

Probably the most important thing a story can do is make the reader care about its characters. There are a number of factors in what makes us care about someone, but today we're going to talk about one of the most important ones: your protagonist's goals and motivations.

  1. What does the character want?
  2. Why does the character want it?
Readers want to root for your characters, but to do so, they have to know what they're rooting for and why. If you give them that, they'll love your characters forever.

What Does the Character Want?

If the reader doesn't know what a character wants, then very little that character does matters. They're just walking around doing stuff. Think of the beginning of A New Hope. There's a bunch of action, a bunch of people getting shot and dying, a big scary dude in a cape and mask walking onto the ship. The opening crawl covers some basic info, but it's difficult to care* until C-3P0 says, "We'll be destroyed for sure" and "There'll be no escape for the princess this time."

He cares about someone. She's in danger.

So we start to care.

The reader doesn't need this information right away, but the sooner the better. You've only got a few pages to grab most readers, and the first step in doing that is giving the reader something to root for.


Why Does the Character Want It?

Watch any reality competition or any sports on TV. One of the main things they ask the competitors is, "Why is this win important to you?"

The competitors we care most about are those with the most compelling reasons: "I'm doing it for the folks back home." "This is my chance at a better life." "Everyone said I couldn't do it. I have to prove to myself that I can."

Compelling motivation makes for good television and great storytelling. For example:
  • Harry Potter wants to succeed at Hogwarts. If he doesn't, he goes back to his awful life with the Dursley's.
  • Luke Skywalker wants to find out what R2-D2's hidden message means. If he does, he'll be able to answer questions he's long held about his father and Ben Kenobi and ultimately himself.
  • Katniss Everdeen doesn't just want to win the Hunger Games so she can survive. She wants to get back to her family so they can survive as well.
  • Zuko wants to find the avatar, not just to restore his honor but to be allowed to return home and to prove he's worthy to be his father's son.*
*Think about it. When did you start caring about Zuko? For me, it was the episode "The Storm" when his uncle told his men why Zuko was so driven that he hurt the people around him.

It was when we learned his motivation. 



Motivations are sometimes framed as stakes, but the idea is the same. Your protagonist wants to achieve something, and they need a compelling reason to achieve it—one that the reader can stand up and cheer for.

It's one of those things that's not hard and it is at the same time. For those of us who tend to focus on world-building and plot, we can get lost in "what needs to happen" and forget about why it needs to happen. But that "why" is paramount.

Because if you can get the reader to root for your characters, then you will have found something every writer hopes to find: a fan.

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4 comments:

  1. It's ALL about the characters for me. I don't even have to like them particularly, but I have to be interested in them. I mean, take the Sheriff of Nottingham in Robin Hood, he was not likeable at all, but he is interesting and complex. Gollum is not likeable, but his complexity made me almost root for him. I connected with him in some way. Just finished Neverwhere, and gosh, I was interested in The Marquis of Carabas.

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    1. For sure! Goals and motivations make for amazing villains as well!

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  2. The Olympics are a great example of this. A bunch of competitors lined up, and no stories, and you don't know who to root for. Then they tell you the background of this athlete, who wants to bring back something to his war-torn country, and you want them to win, and then they tell you the background of this athlete, seeking redemption after a serious injury, and you want them to win, too. They're no longer strangers, but stories - stories you want to see have a good ending.

    Also, just this morning I read this from Rachel Martin on NPR: "The fast track to a good cry for me is a reality talent show. They are so good at getting you sucked into a contestant’s back story."

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